At a time when thousands of our farmers are sitting on the roads in bitterly cold December nights, protesting another policy measure that 'tightens the noose around their neck', ironically sold as 'beneficial' for them, it becomes all the more necessary for us to watch Gabhricha Paus to understand their problems better, says Utkarsh Mishra.
Shamjibhai Ahir, a Kutchi truck driver by profession, can't understand such hullabaloo over India's official Oscar entry of the Gujarati film The Good Road in which he is playing an important role.
'After Gully Boy, many interesting projects started coming my way.' 'But things really changed with the Filmfare. Now, people notice me.' 'It's a good space, where you don't have to tell people who you are.'
Some of Bollywood's top directors started very young.
Dil Chahta Hai revolutionised the language of Hindi films. Sukanya Verma shows us how.
We celebrate Farah Khan's 50th birthday by re-visiting some of her best choreography.
Take a look at celebs at Aamir Khan's Diwali party.
As we prepare to return to the land of silver screens and samosa, Sukanya Verma looks at notable theatre moments in Hindi films.
'Life has been my greatest teacher.'
'There are times in your life where you have to pause a little bit.' 'The kids are growing up, and I want to be with them.'
Sukanya Verma celebrates 25 years of Bollywood images.
Sukanya Verma lists significant memories in our 1996 recap.
Sumedha Raikar-Mhatre examines the Marathi film industry, which annually produces around 190 dissimilar films that requires an investment of Rs 400 crores.
'With Tanu Weds Manu, I discovered myself.'
